تبارشناسی گفتمان صوتی در موسیقی آوازی ایران با تاکید بر جنسیت در چهارچوب نظریه «دانش-قدرت-رژیم حقیقت» فوکو (از پهلوی تا معاصر)

Abbasi, H. (2005). Radio Music during the Pahlavi Regime. Radio Monthly(26), 43-48.

Akbari, Y. (2014). Foucault's Archaeology and Genealogy: A Transition from Conventional Historiography. New History, 4(7), 24-50.

Bahrami, F. (2007). Determining the Effectiveness of a Gender Stereotypes Training Workshop on Changing Gender Stereotypes among Women and Men in Isfahan. Women's Studies, 5(1), 93-106.

Bakhshayesh Ardestani, A. (2009). Foucault and the Theory of Knowledge, Power, and the Regime of Truth. Daneshnameh (Science and Research Branch)(3), 43-52.

Dehlavi, H. (1998). Music: The Connection between Poetry and Vocal Music. Honar(36), 139-158.

Eslami, R., & Taji, S. (2019). Pathology of Music Policymaking in the Islamic Republic of Iran. Public policy, 5(4), 261-279.

Fattahi, S. M. (2008). Discourse of Power in Michel Foucault's Thought. Daneshnameh (Science and Research Branch)(4), 65-73.

Ghaderi, Z. (2011). Critique of the Philosophical Discourse of Modernity: Subject, Truth, and Power in Michel Foucault's Thought. Fundamental Western Studies, 2(2), 127-179.

Ghaderzadeh, H., Nouri, H., & Naeimi, A. (2012). Reconceptualizing the Concept of Power in Foucault's Thought. Fundamental Western Studies, 3(2), 107-127.

Ghaffari-Nasab, E., & Refahat, F. (2019). How the Status of Women in Iranian Traditional Music Was Represented in the 1980s. Woman in Culture and Art, 11(3), 325-344.

Malekan, M., & Moazen, K. (2015). Music Policymaking in the Islamic Republic of Iran. Media(99), 45-68.

Mirkhandan, S. H. (2015). An Introduction to Policymaking in Music. Religion and Cultural Policy, 2(4), 71-104.

Mirzaei, R., & Shahroudi, F. (2023a). Causes of the Disconnection of Musical Listening Culture from Cultural and Artistic Authenticities in Iran. Sociology of Culture and Art, 5(2), 133-148.

Mirzaei, R., & Shahroudi, F. (2023b). A Qualitative Study of the Distancing of Iran's Musical Listening Culture from Its Authentic Roots during the Second Pahlavi Period. Sociology of Culture and Art, 5(4), 142-155.

Ozdanlou, H. (2006). Michel Foucault: Thinker of the Unthought. Political-Economic Information(223-224), 52-65.

Pourhosseini, M. (2005). Singing in Iran. Farhang va Ahang(8), 48-53.

Samim, R., & Khezraei, B. (2005). A Look at the Relationship between Quantitative Poetry and Iranian Vocal Music. Maaref(63), 80-86.

Setayeshgar, M. (2012). Dictionary of Iranian Music (3 ed., Vol. 1). Ettela'at Publications.

Zamani, M. M. (2022). Pop Maddahi and Competition over the Audience. Specialized Scientific Quarterly of Ritual Studies 'A'(3), 114-123.